Thursday, October 31, 2019

Project Planning And Services Operations Management Assignment

Project Planning And Services Operations Management - Assignment Example The Museum has in print several books by straight digital files. The exhibition of 40 outstanding images, by photojournalist Alberto Arzoz, tourist attractions the challenges the Crow face as they describe their position inside American humanity even as preserving their exclusive artistic inheritance. This phase is planned to provide as a guide to scheduling and maintaining visitor satisfaction project for museum. It covers the digitizing of two-dimensional artwork, such as original photographs, prints, drawings, and glass-plate negatives and visitors satisfaction with comments and remarks; library assets such as maps; and other visual resources. The document will assist project managers in museums, and archives gain a inclusive considerate of the issues linked to creating a high-quality digital archive and visitors information related to exhibitions for access or protection, or both. It analyzes the tasks occupied in choosing a process for capturing the unique basis material and the comments linked with upward the digital archive to provide a broad variety of uses and users. Scheduling for such uses as the Web, collections-management systems, exhibition details, and high-end book of visitors is also discussed. The scope of the project and the uniqueness of the basis materials interpret into image-capture provision and dealings for edifice a collection of digital images of visitors during exhibition. The project ought

Tuesday, October 29, 2019

Women in World War Two Essay Example for Free

Women in World War Two Essay After reading on these eight women I have chosen to do my compare and contrast from this Library of Congress Exhibition of Women in World War II story which was detailed with photography to tell their stories; for others to not only read their story, but to experience it through visual documentation. These three women, Toni Frissell, Esther Bubley and Therese Bonney were able to connect with millions of people through their images that they documented. From Toni Frissell’s pictures you were able to see how a nurse performed her duties, the actions of soldiers on the front lines, children who were made instant orphans as a result of war and the daily struggles of African-Americans and Women in the war. Esther Bubbley’s pictures were centered on life back home around people doing their part for the war effort, life in the nation’s capital. Therese Bonney’s pictures were really felt with her touching on how the damage of war affected innocent adults and children who were left homeless and struggle to find food and shelter. Therese Bonney’s mission was to tell truth of what she say through her words and pictures, with the hope that it would make others see the reality of war from a personal point of view. She had felt that World War II was a threat to European Civilization and this was her way to show the depth behind her words. On the other hand Esther Bubbley thought it more prudent to focus on the American side and show how the nation prepared for war, show casing civilians working with our military to achieve the common goal of winning the war and more importantly supporting the troops. Toni Frissel, who already had a career of reporting on fashion and society, had decided to take on a much bigger challenge of trying to report on real wartime issues to give the surreal of war to the readers back home. Any way you look at it, these three woman gave their readers a very detailed and well documented view on life and events during the second World War. References: http://www.loc.gov/exhibits/wcf/ Women Come to the Front

Sunday, October 27, 2019

Art in the Villa Farnesina

Art in the Villa Farnesina This magnificent loggia, designed by Raphael and mostly painted by his crew of helpers in 1518, shows a spectacular amount of skill. Originally the main villa entrance presided here and the room was an open loggia. The walls imitate realistic architectural form using light and shadow to trick viewers with illusion. Nature plays an important role through the abundance of vegetation in the festoons outlining the ceiling and its partitions, and the illusion of sky along the top and semi-circle lunettes. The fruit and vegetables have an enormous amount of detail, many of which were modeled after the variety of exotic and well maintained plants in the glorious gardens. The color scheme in this room feels very cool. The pinkish shades of skin tone pop out from the ceiling and the interplay between the characters shows a mastery of space and expression. The ceiling depicts of story of Amour and Psyche as narrated in Apuleiuss Golden Ass. Legend has it, Psyche was the most beautiful child of King Anatolia. Jealous of her, Venus (Aphrodite) asks her son Cupid (Eros) to pierce Psyche with a golden arrow so she would fall in love with the ugliest man on earth. He agrees but falls in love with her instead. The two marry, but Psyche upsets Cupid. Advised by the gods, Psyche sets out to regain Cupids love through service. She eventually asks Venus for aid. Venus orders Psyche to perform a series of near impossible tasks. With the aid of others she completes enough for Cupid to forgive her. He flies to Mount Olympus and asks Jove to help save Psyche from the last task. Jove does and during a formal council declares his approval of the marriage between Cupid and Psyche. Later, Cupid fetches Psyche and she drinks immortalizing Ambrosia. The two have a child named Volupta (Bliss or Delight) and Venus and Psyche reconcile. The entire ceiling focuses around the dramatic love story full of courtship, danger, jealously and pleasure. The two main panels show the Council of the Gods and the Marriage of Cupid and Psyche. Along the sides of the ceiling, Raphael depicts other portions of the story. The beginning panel shows Venus pointing downwards while discussing her plan with Cupid. This room clearly carries the themes of nature and love in a very pagan manner. Raphael successfully intertwines the characters and the style of painting while following more realistic and 3-dimensional Renaissance art. Sala delle Prospective The name of this room works perfectly. The side frescoes, designed and painted by Baldassare Peruzzi, depict columns going into the distance. Agostino commissioned him in 1519. When standing in the center of the room, the columns follow perfect perspective. Painted with detail, they imitate dark veined marble. They present an architectural foreground to the countryside background that builds on the illusion of nature within the villa. These views conveniently tie in the traditional villa scene because villas were usually built in the suburbs. The continuation of the floor into the fresco emphasizes the illusion and carries the viewer out. Divinities reside above the doors and windows and a frieze of mythological scenes line the ceiling. The forge of Vulcan has a fitting placement on the northern side, above the fireplace. Deeply coffered squares tile the ceiling and give the room a sense of depth. This room clearly plays on illusions of space and successfully engages the viewer to pe er out and interact with nature. Sala di Sodoma This room is also known as the Agostinos bedroom and was commissioned in 1519. Walking in, the walls are completely frescoed. The coffered ceiling depicts scenes from mythology, again showing more pagan references. The most eye-catching aspect of the room is Sodomas Marriage of Alexander and Roxanne. Roxanne twists her body as she gazes to the outstretched hand of Alexander. Cherubs occupy a large portion of room along the top of the fresco and within. A few even tug at Roxannes limbs. The paintings on the side show people in battle and heading towards the marriage. Stairs leading into the fresco draws in and interacts with the viewer. The reoccurring theme of love and drama clearly presides in this room. Many believe the marriage scene reflects Agostinos third marriage to Francesca Andreazza. His martial ceremony, performed by Leo X, actually took place in the Villa Chigi. Thus, the frescoed theme of marriage and love properly define the private bedroom as a place of their union. Function The Villa Farnesina truly embodied its purpose of entertainment. Agostino Chigi used this building for parties, formal dinners, his wedding, theatrical performances and more. The amount of money and time put into the villa shows how ostentatious Chigi felt about showing his fortune. Agostino Chigi would serve dinner guests on lavish plates of silver. To demonstrate his abundance of money to his company, he would order his servants to toss the silverware out of the windows and into the Tiber after their meals. Secretly nets in the water caught the pieces of eatery and eventually made their way back to the villa. Architectural choices by Peruzzi emphasize the theatrical purpose of the building. Peruzzi alludes to the function by using Vitruvian authority. Vitruvius explains the design of Roman theatre through arithmetic ratios. Lower stories should have pedestals and an entablature respectively one third and one fifth the height of its columns while upper storey pedestals have half the height and columns have three fourths the height of their lower level counterparts. Peruzzi followed the advice with exactness. In the early 1500s, theatrical events adapted to their environment not the other way around. The u-shape, and open Loggia di Psyche creates an ideal enclosure for performances. At the time, a raised stage flanked the two wings to line the loggia. Actors entered from the rooms openings. Thoughtfully, the frescoes in the Loggia di Psyche just cover the ceiling while the paintings on the walls restrict themselves to architectural and patterned designs. This made setting changes and backdrops easier to create and adapt to during performances. Illusionary perspective and Muses carrying tragic and comic masks along the walls continue the theatrical implications upstairs in the Sala delle Prospettive. Goals of the Patron The goal of creating a building to function as a location for entertainment, partying and showing the wealth of the Chigi family definitely succeeded. In addition, bringing nature into the building presents another major goal when building a villa. At first glance the exterior is lined with an abundant amount of windows, allowing natural light in and connecting the rooms to nature as much as possible. Furthermore, the two loggias were originally open. Not only would that add more light, but sweet smells from the garden and even insects and animals had access to the rooms. The Loggia di Psyche served as the original entrance into the villa. Observing the ceiling, one can see the impact of nature on the fresco. A thick festoon of leaves and a variety of fruit follow the architectural space along the spandrels and ceiling panels. This matches the frieze on the exterior. The earthly colors and background of blue sky incorporate the outside in. Even the semi-circle lunettes above the walls have painted windows with a fictitious outdoor view. The large vertical panels of windows facing the garden flood the room with daylight. Upstairs, the Sala delle Prospettive creates an illusion of countryside views as one gazes at the frescoes and past the columns. The distant horizon generates a feeling of space and infinity. In Sala di Sodoma, Alexander and Roxannes courtship is in a covered area, but effort was made to continue the story outdoors on the side frescoes, and in the background of the main fresco. Nature clearly impacted the villa as a major theme through out the entire building. Conclusion The Villa Farnesina houses art from some of the most prominent figures of its time. Each room tells a different story as one can only imagine the splendor and extravagance Agostino Chigi must have experienced when entertaining guests in his new villa. After the Chigi sold the building to the Farnese family, the Farnese made plans to connect it by bridge with the Palazzo Farnese. Building began but never completed. In later centuries the Bourbon of Naples owned it, and the Spanish Ambassador in Rome. Today the Italian state has used it for the Accademia dei Lincei and the Gabinetto dei Disegnie dell Stampe. The harmonious architecture, meaningful proportions, innovative and eye-catching frescoes swimming in pagan themes of nature and love will attract passers by and art fanatics for many years to come.

Friday, October 25, 2019

Eros Essay example -- essays research papers

In the Poem, EPƒÇƒÃÆ', by Robert Bridges, Eros is referred to as an  ¡Ã‚ §Ã‚ ¡Kidol of the human race ¡K ¡Ã‚ ¨ with a perfect form and looks, however, he bears no expression on his face. On the other hand, in the poem, EROS, by Anne Stevenson, Eros is portrayed as a  ¡Ã‚ §thug ¡Ã‚ ¨ with a bruised and  ¡Ã‚ §patchy ¡Ã‚ ¨ appearance. I believe that although both authors are trying to convey the same message, they choose different ways to go about it.   Ã‚  Ã‚  Ã‚  Ã‚  In the poem by Anne Stevenson, I believe that she is trying to show that while people, especially the narrator, were constantly asking for help and calling upon the gods, they were not thinking of others, but more so their own personal problems. When Eros first appears to the narrator, she is shocked and in disbelief of his appearance. Eros tells the woman that he has that form due to all of the feelings she and others have directed in his direction. He then tells the girl that since it is the gods that control the fate of man, they are the ones that take all of the blame for things not going well, and that is reflected upon their bodily form. I think that the author was trying to show that from the scorn of man, the gods were receiving these verbal beatings that resulted in physical marks, and to show the selflessness of the gods as well. This is done when Eros tells the girl that it is better for him to be all bruised than for her to not have love.   Ã‚  Ã‚  Ã‚  Ã‚  However, when comparing the work of Anne Stevenson ... Eros Essay example -- essays research papers In the Poem, EPƒÇƒÃÆ', by Robert Bridges, Eros is referred to as an  ¡Ã‚ §Ã‚ ¡Kidol of the human race ¡K ¡Ã‚ ¨ with a perfect form and looks, however, he bears no expression on his face. On the other hand, in the poem, EROS, by Anne Stevenson, Eros is portrayed as a  ¡Ã‚ §thug ¡Ã‚ ¨ with a bruised and  ¡Ã‚ §patchy ¡Ã‚ ¨ appearance. I believe that although both authors are trying to convey the same message, they choose different ways to go about it.   Ã‚  Ã‚  Ã‚  Ã‚  In the poem by Anne Stevenson, I believe that she is trying to show that while people, especially the narrator, were constantly asking for help and calling upon the gods, they were not thinking of others, but more so their own personal problems. When Eros first appears to the narrator, she is shocked and in disbelief of his appearance. Eros tells the woman that he has that form due to all of the feelings she and others have directed in his direction. He then tells the girl that since it is the gods that control the fate of man, they are the ones that take all of the blame for things not going well, and that is reflected upon their bodily form. I think that the author was trying to show that from the scorn of man, the gods were receiving these verbal beatings that resulted in physical marks, and to show the selflessness of the gods as well. This is done when Eros tells the girl that it is better for him to be all bruised than for her to not have love.   Ã‚  Ã‚  Ã‚  Ã‚  However, when comparing the work of Anne Stevenson ...

Thursday, October 24, 2019

A Quality Management Case Study Defects Essay

Quality Control is developing evaluation schemes to ensure products are designed and produced to meet or exceed customer requirements. Any unit of production not meeting the standard is immediately eliminated. Researchers apply the Pareto principle implying that very few quality defects account for the larger quality losses. Pareto diagrams allow us to separate vital few factors that cause majority defects from the less contributing factors. Resources are then used to correct these factors and optimum quality standard is achieved. This study examines for defects found during final inspection of printed circuit before they are integrated into the next higher assembly. Manufacturing process followed standards such as MIL-Q. It’s a standard written by the government used even by commercial enterprises. Whenever we have a defect cited, a discrepancy report (DR) is generated. The DR record keeps track of when what defect was detected by whom and where. It also stores information about what action was taken to restore quality unit. Defects are classified as types (In this study, there are 31). These broad categories are further sub categorized. In nutshell, this effort of planning quality is the essence is Quality Assurance. Using the online DR system, Managers analyze defects. First, Managers find out the correlation between inspections and defects. Pearson’s coefficient is a valuable indicator of that. Secondly, Managers analyze the ratio of defects to no. of inspections per week. To crack the whip on detailed data of actual defects, Pareto analysis (Quality Control measure) is performed. Significantly, it shows percentage of defects caused by the key defect types. Working groups are formed to drill down on the last few vital factors to suggest corrective actions and completely eliminate defects. New drawings, procedures are designed and applied to achieve highest quality. During the highest problem period in this study, no. of inspections went down drastically. One reason could be that the work completed was less (because of more defects) and so the number of inspections went down. But the repaired boards needed to be inspected. Inexperienced operators could be the other reason. This leaves a lot of work yet to be done in this field. This study however does benefit quality management efforts. Although, this case is specific to the airline industry, the approaches described here can be usefully applied to any project. Maintaining quality is a very crucial task and any project management must seriously focus on it. Harvard Business Review

Tuesday, October 22, 2019

Tips Writing a Research Paper on Bullying

Tips Writing a Research Paper on Bullying Tips: Writing a Research Paper on Bullying Freshmen and students in their first year in high school often fall prey to bullies. Reports obtained from educational institutions indicate that bullying persists even in the modern era. It is not known why people bully others, but it can be concluded that a bully is likely to have an underlying psychological condition that triggers the bullying behavior. On a different perspective, bullying is not only rampant in schools, but has also been reported in family settings. This is mainly witnessed in families where the income is so meager that it cannot support the children that comprise that family. Bullying in families takes a mild form. For example, the eldest sibling taking care of the younger ones might serve himself bigger food portions, leaving the rest to share some insufficient quantity. In the same manner, bullying within the family might be seen where the elder siblings force younger ones to wash their clothes for them, clean their rooms, and run errands for them. All this time, the parents might not be aware that such things are happening. From these examples, it can be gathered that writing a research paper on bullying can be fascinating. Nevertheless, as is common with a fascinating research topic, it is possible to drift out of the point and write an irrelevant essay. Therefore, a number of handy tips that guide and control the writing of a research paper exist. Tip number one involves the definition of key terms. The writer must not assume that every reader knows what bullying is. It is always good to begin any essay with a definition of the topic and the key words that will feature prominently in that essay. Examples of key words that a writer must try to include in an essay on bullying are coercion, threat, and victim among many others. The definition of key phrases and words will be followed by a synopsis about the pervasiveness of bullying in social settings. In this section, the writer will give a statistical background into the major forms of bullying in schools and families, as well as in other social settings where the trend has been observed. After this, the reader will select one situation where bullying has been observed to be notorious. A critical exposition of the situation will be given. This will call for profound information concerning the factors that trigger bullying, and the responses that have been implemented with respect to the behavior. The research paper is not complete if the writer fails to take in the documented effects that have resulted from acts of bullying. Similarly, the writer must outline the positive results that have been generated by the said responses, if there are any. As with any other paper, it is good to conclude the essay with a set of suggested actions the writer feels would aid in deterring bullies. An obvious but imperative tip is to proofread your paper to ascertain that there are no grammatical or typing errors. research paper writing service will provide you with a high-quality customized research project on Bullying topics and ideas. Just fill in the order form with your details.